POSTINTERFACE | Creativity, Science and New Technologies

Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life]

Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019

Focus

Sougwen Chung. Omnia per Omnia

06-11-2018 Hits:553

Omnia per Omnia by the Chinese artist Sougwen Chung reimagines the tradition of landscape painting as a collaboration between an artist, a robotic swarm, and the dynamic flow of a...

Taboo-Transgression-Transcendence. Mario Savini's interview with Dalila Honorato

23-10-2018 Hits:938

Dalila Honorato, Ph.D, is a facilitator of safe spaces for hosting the interaction of ideas around liminal issues in the frame of Art&Sci. Her research focus is on embodiment, monstrosity...

Spain. Artists create artificially intelligent underwater robots based on ancient life at LABoral

19-09-2018 Hits:868

This cutting edge new project by British artists Anna Dumitriu and Alex May was created at LABoral as part of an EMAP (European Media Art Platform) residency and takes the...

Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life]

12-02-2019 Hits:36

Mutations / Creations 3 summons up design, visual and digital art, through a group exhibition, La Fabrique du vivant [The Factory of Life], the first European monographic exhibition of Brazilian...

London, The Photographers' Gallery. All I Know Is What’s On The Internet

29-11-2018 Hits:472

This exhibition presents the work of 11 contemporary artists and groups seeking to map, visualise and question the cultural dynamics of 21st Century image culture. Importantly, it investigates the systems through...

Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse

09-11-2018 Hits:514

In the Hirshhorn’s largest interactive technology exhibition to date, three major installations from Rafael Lozano-Hemmer’s Pulse series will come together for the artist’s DC debut. A Mexican Canadian artist known...

London, Serpentine Gallery. Pierre Huyghe, UUmwelt

08-11-2018 Hits:506

Although Pierre Huyghe intentionally alters the sites in which he works, events and growth are often encouraged to occur without his control. The exhibition is therefore changed irrevocably and unpredictably over...

Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence

26-10-2018 Hits:764

An exploration of the technological and surreal imaginary of the artists of today, from computer-generated dreams to creative algorithms and avatars that question the meaning of existence. More than just...

Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs?

25-09-2018 Hits:733

Are we better designers than nature? It is the question at once critical and poetic that we could ask ourselves at the discovery of the exhibition of the Japanese Aki...

Simone Arcagni, L’occhio della macchina, Einaudi

04-12-2018 Hits:469

How do computers see? What do they see? And most importantly, what is the vision of the world, which the digital society offers to us? L'occhio della macchina is a...

Marco Mancuso. Arte, Tecnologia e Scienza. Mimesis

16-11-2018 Hits:461

Marked by constant evolution on a cultural, aesthetic and moral level of the relationship progress-human beings-environment, the era in which we live compels us to ask ourselves: what kind of...

Giovanni Aloi (Edited by). Botanical Speculations. Plants in Contemporary Art. Cambridge Scholars Publishing

05-11-2018 Hits:501

Ground-breaking scientific research and new philosophical perspectives currently challenge our anthropocentric cultural assumptions of the vegetal world. As humanity begins to grapple with the urgency imposed by climate change, reconsidering...

NemO’s AR

07-02-2019 Hits:231

In recent years more and more artists are adopting augmented reality (AR), virtual reality (VR) and mixed reality (MR) experiences to enhance their artworks. The general result is a complex...

Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019

11-01-2019 Hits:426

This book will aim to provide relevant theoretical frameworks and the latest empirical research findings in the area. It will be written for professionals and educators who want to improve...

Call For Papers. London, The International Conference on Future Generation Information Technology (FGIT 2019). Deadline December 10, 2018

25-10-2018 Hits:568

The Second International Conference on Future Generation Information Technology (FGIT 2019) will be held on January 03 - 04, 2019 at London, United Kingdom. FGIT 2019 will be the most...

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	1 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 01/02/2019	2 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 02/02/2019	3 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 03/02/2019
4 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 04/02/2019	5 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 05/02/2019	6 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 06/02/2019	7 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 07/02/2019	8 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 08/02/2019	9 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 09/02/2019	10 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition London, Serpentine Gallery. Pierre Huyghe, UUmwelt London Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 10/02/2019
11 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 11/02/2019	12 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 12/02/2019	13 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 13/02/2019	14 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 14/02/2019	15 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 15/02/2019	16 Call Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 16/02/2019	17 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 17/02/2019
18 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 18/02/2019	19 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Date : 19/02/2019	20 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 20/02/2019	21 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 21/02/2019	22 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 22/02/2019	23 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 23/02/2019	24 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Rome, MAXXI, Low Form. Imaginaries and Visions in the Age of Artificial Intelligence Rome Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition London, The Photographers' Gallery. All I Know Is What’s On The Internet London Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 24/02/2019
25 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 25/02/2019	26 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 26/02/2019	27 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 27/02/2019	28 Exhibition Nantes. Musée d'Arts de Nantes. Aki Inomata. Why Not Hand Over a “Shelter” to Hermit Crabs? Nantes Exhibition Washington, Hirshhorn Museum. Rafael Lozano-Hemmer, Pulse Washington Exhibition Paris, Centre Pompidou, La Fabrique du vivant [The Factory of Life] Paris Date : 28/02/2019

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Call for Chapters. Virtual and Augmented Reality in Education, Art, and Museums. Deadline February 16, 2019

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